Gold! Always Believe in Your Soul!

Ridley: I’ve been wrapped up in the Olympics the last little while. I have to say London has absolutely out done itself. Britain should be so proud!

Now of events, I’ve been watching the rowers, the swimmers, the runners and of course, the boxers. I just spend the time marvelling at their athletic feats while I snack on crisps and lull on the couch.

One thing I have noticed; the games really bring out the patriot in you, don’t they? So many countries and the people within them surely think this? There is absolutely nothing like watching one of your Olympians stepping up to the podium. 

At the moment, here in Ireland, there is one person’s name on all our lips, Katie Taylor. While I’ll be the first to say we have fantastic sports people, Katie really is the woman of the hour. When she received her gold medal around her neck, there wasn’t a dry eye in the stadium or in the country.

Shivers shot through me to hear our nations song, ‘Aran na bhFiann’ song by thousands in a completely different country, there were so many of us there it was a like a GAA (football or hurling) final in Dublin!  (Or the Euros in Poland this year!)

For the week or so of her three big fights, the country, the people of Ireland forgot their worries and joined together. We speculated, we hoped, we debated and we prayed for a great result. We all love to support our teams and our people. We get behind our heroes and we cheer them on. Even now, one of our most popular songs that we sing at nearly every event harks back to the 1990s during the World Cup in Italy when our football team got through and played in them. Their coach was Jack Charlton and the song: ‘We’re all part of Jackie’s Army’.

Granted we didn’t win the World Cup of course, but it’s all part of the craic to be involved somehow, to get swept up in the tension, the fun and the ‘what if’. I remember it well, I would have only been nine or ten, but we watched every one of the matches with our team playing on a small fuzzy television. We did it while wearing knitted Ireland scarves and floppy green top hats! It’s this absolute support that we show any sport or person, no matter if you’ve never watched or followed it before, that really makes me proud to be Irish.

During Katie’s final match yesterday, 1.5 million people tuned in to watch it. Some business closed for it, others brought televisions and radios in to watch or hear it in work. In Bray, Katie’s home town thousands turned out to watch it on the big screens there. I loved this video of them all going mad and celebrating at the result.

The ESB (electricity company) has said the demand for electricity dropped by 6% for the duration of the match (and then jumped back up afterwards, as we all turned on the kettle for a cuppa, no doubt! Haha.)

Everything stopped when that first bell rang, the streets and roads were empty. Seriously. Total silence descended over the country as people watched the fight, and when she won, the screaming and the singing and the hollering began. Life restarted again, people flooded the streets, cars were back in traffic jams and all anyone could talk about was, ‘did you see the fight?’

(Here’s a brilliant video of Thai Tims singing about Katie, so cute and fantastic that a country so far away has people celebrating her. The tune is originally ‘The Wild Rover.’)

Even if you weren’t a fan of boxing before this, you’d end up at least being a fan of Katie Taylor’s, who is unbelievably hard working, modest and generous in her praise to her fellow fighters. She’s done more than win the country’s first gold medal, she’s given it’s people hope and happiness. To cap it all off, the summer seems to have come at last! We’ve had absolutely fantastic weather the last two days to coincide with the win. People are wandering round laughing, smiling and getting sunburned. For this weekend at least, we’re all glancing at each other with raised eyebrows and saying, ‘Recession? What recession!’

Long may it last!

Paper art

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Ridley: Sometimes the simple things are the most beautiful.

When you think of art, what comes to mind?

It’s nearly always complicated oil paintings, detailed watercolours and delicate sculptures that you think of, isn’t it? You never think of paper being the only tool you need to create beautiful works.

So when we came across the Origami Paper Art museum, we were very impressed!

While the material is simple, these art pieces are far from it!

Now this lovely find was in Tokyo airport. We were there last May and I know it seems a bit late to be posting this, but I keep looking at the pictures. They’re simply amazing. I feel a bit selfish not sharing them!

 

All of this is paper!

I laughed any time I saw a dragon in Tokyo as Godzilla always came to mind. When I was younger, we used to watch the old Godzilla movies. They were so funny, most of the time you can see the wires on the flying creatures.

Who says airports are boring? (Me…I always did! Well apart from the random bits of duty free shopping.)

Here’s a link to a blog entry that I came across with numerous different types of paper art, they are all absolutely extraordinary!

The Phantom of The Opera

Ridley: We’ve been to the musical, Phantom of the Opera. Both Latimer and I went to see this in the Grand Canal Theatre in Dublin (now renamed the Bord Gais Theatre, though everyone refuses to call it that!)

Latimer: It’s a real shame that the theatre was renamed, because the ‘Grand Canal’ makes it sound very opulent and grand, but the Bord Gais (‘Gas board’ in Irish.. because the Irish Gas Board sponsor it now) makes it cringe-worthy. 

Ridley: It was really fantastic going though, name choice aside! I don’t often go to the theatre, but when I do go, I always wonder why I don’t do it more often, as I feel quite cultured! 🙂 The costumes were so vibrant, the set design was clever and the music just swept you along. If you ever get a chance to see this in theatres, go, you won’t be disappointed! Your eyes will just want to drink it all in!

Latimer: Myself and Ridley went to see Lord of the Rings, the soundtrack score in this theatre (‘Grand Canal’ at that point). I remember complaining that the seating was bad (we were about three rows from the front). And the layout felt very cramped.

But this time I was sitting on the upper circle and it was pretty fantastic. I recommend that seating area now! I went with my Mam and Aunt, and my Aunt has been to this theatre lots of times and she knows what seats to book now.

Ha. I suppose it’s trial and error.

And in introducing my Aunt, I introduce an old, old fact from the Grand Canal’s medieval past- a detour through time now if you will!

Outside the theatre, there are many red poles (as you see above).

Ridley, did you ponder, what these meant? I didn’t give them a second thought, only thinking; ‘oh, some arty poles’.

Ridley: I have asked before ‘what’s with the red sticks’ but no one ever knows! I’m sensing you do…

Latimer: Ah, my Aunt told me that they mean something…

There’s a street opposite the theatre called Forbes Street. And in medieval Dublin this was were the lepers were sectioned (it was known as ‘Misery Hill’).

The red poles are symbolic of the saying, ‘I would not touch them with a barge pole’ in reference to the lepers.

Very eerie now in that respect eh?

By night the poles are lit. The above picture is them after the show was finished!

Well now… back to the Phantom! I agree that the set-design was fantabulous! My god I couldn’t get over it. Ridley, please, explain the story if you will…

Ridley: Well, most people know the story of Phantom of the Opera. For those that don’t, it’s basically a tragic love story. The phantom is a deformed man, a ghost who lives in the depths of a theatre. He falls in the love with the young and beautiful Christine Daaé. He watches her from the shadows and teaches her to sing without revealing himself. She believes he is her Angel of Music, a being from heaven sent by her father to watch over her. It is the phantom that arranges for Christine to get her first big break in the theatre. He bullies and forces the owners to feature her as their star. While she is singing as the lead in the play, her childhood friend Raoul sees her and they reconnect. Thus begins the dangerous love triangle, where Christine must decide between her old friend and her Angel of Music.

The 2004 movie with Gerard Butler is the version that I know best. Not a bad version of the phantom to love, Gerard Butler, eh? Teehee. It’s a bit like Doctor Who, everyone has their favourite Doctor and everyone has their favourite phantom! Gerard is mine! (I also have the soundtrack from this version of the Phantom of the Opera and I play it often. It’s really beautiful.)

Now, I’ve always thought Christine should have chosen the phantom over Raoul. My view on this has never changed, no matter how many times I’ve seen the musical-either in the theatre or in the cinema. Raoul’s affections always seemed so fleeting and shallow. He only remembers his love for her when he hears her singing at the opera-after she’s become the lead performer. Whereas the phantom has loved her all this time, helping her and protecting her…

Dramatic, mysterious, passionate and powerful, that is what the phantom is for me. I’ve always found myself drawn to him. I suppose I’ve always liked the bad boy, the evil genius. The phantom had the swirling black cape, a mask framing eyes that captivated and a hidden lair that he filled with haunting music. At the same time, he was damaged and vulnerable in some ways. Raoul was always pathetic compared to him. He also certainly didn’t get the massive swells of music from the organ at his sudden appearance.

With regards to Christine, I don’t think I’ve ever liked her as a character. On one hand, I can understand that she’d be terrified of the phantom, having been suddenly kidnapped by him. He is quite menacing. But I can’t seem to shake the soft spot I have for him, despite being a kidnapper and a murderer (I seemed to have glossed over this part in past versions, I’d forgotten about it but I was abruptly reminded he killed a stage hand, when I watched the musical in the theatre the other day! The sympathy I feel for the phantom is certainly diminished when I take this into account, so I generally have to forget this happens!)

I think that Christine uses the phantom. She preys on his vulnerable side, the side that has never seen friendship or love. He’s had only hatred, disgust and fear thrown at him. Without him, her career wouldn’t have progressed as far as it did, nor would she have been able to sing like she does. She plays on his affections for her and then betrays him in the end.

Latimer: Actually watching it all again, in this form, I can understand her not loving the Phantom though. Because he wasn’t sympathic and he was pretty ruthless. I remember in the movie thinking, ah she should have picked the Phantom (I was annoyed that she didn’t to be honest!).

Yet in this musical version (possibly the real version- aside from the book!), I felt it was all mixed up, I didn’t like the Phantom. The characters I really liked were the two men who buy the theatre at the start. I found them funny and enjoyable (light-hearted among the grimness). My Aunt saw it in London and said that this Dublin version has been cut down alot, so we missed out on some backstory etc

Ridley: The funny thing is that all changes in the sequel to Phantom of the Opera, which I never realised existed! It’s called Love Never Dies, and I have some major problems with it. (Spoiler alert here)

Latimer: This is beyond ridiculous…!

Ten years after the events of Phantom of the Opera, the phantom tricks Christine and Raoul into coming to New York, where he wants to hear Christine sing once again (I’d like to point out, his love for her still hasn’t faded!) Christine has a son, Gustave. It turns out that this is the phantom’s son! (My jaw dropped at this! Latimer: what the Dicken’s? haha, this is just so bad!) Never, not once is there ever any hint that Christine and the phantom were in anyway intimate in the musical or the films. Perhaps this occurs in the book? (which i’ll admit I haven’t read, so i’m very open to being corrected on this) Not only this, through the phantom’s scheming, he convinces Raoul to leave Christine, which he does-without any fighting to save their marriage! Then suddenly it seems Christine has always loved the phantom and she finally stops fighting against this love. Based on the musicals I’ve seen, I would have always said she’d felt nothing but pity and disgust for him. Perhaps at most, she had an affection for her Angel of Music, but no this undying love. 

Latimer: She found this false, undying love very quickly, considering how she left things in the Opera house in Phantom of the Opera. I’m still shaking my head at this. It was obviously fabricated in light of creating another cash cow.

Incidentally, he’s (the Phantom) running a theme park in Coney Island when we meet him again in ‘Love Never Dies’. And it’s called Phantasma… oh my…. oh my… 

Ridley: Well, also, the other final thing I have a problem with is when Gustave finds out the phantom is his father. He decides to stay and join him at the theme park in New York, instead of following after Raoul when he leaves. Raoul is the man he’s known all his life, the one he’s always considered his father and yet he wanders off with this random stranger instead? What? Would that really happen? I don’t think so! Hmm…

All the same, despite all my nit-picking and wish to change the ending, I still love the story! I think there are quite a number of people out there that love it too, or am I wrong? 🙂

Latimer: While I really enjoyed my trip to the theatre and also, the set design and experience of the musical was just amazing, I don’t actually like the story of Phantom of the Opera.

But still, it was a nice night! Also, random that we both attended separately, but we have joined together, like bubbles caught in an updraft to write this post. After-which we’ll pop, likely never to speak of it again! Ha 🙂

Ridley: Yes…bubbles…..  *pop*   😀

Now for Something Completely Different

Latimer is made of star stuff? Hurrah!

Latimer: Okay, so in this post I well and truly get my nerd on. What follows is an indulgence of my science fetish!

It might come as a surprise that I am a factual being, when my dreams are so rooted in the fantastical. But sometimes the truth is just as mysterious and awe-inspiring as the dream. I think that science is the great dream; the greatest mystery.

Recently I went to a general science conference, covering everything under the sun. It was the European Science Open Forum (ESOF) which was held in Dublin this year (Dublin is the City of Science for 2012 🙂 ).

This conference was incredible; for a start the program included five Nobel Laureates. Heavy-hitters as I was calling them.                                                                                 

The conference had two speakers that without a doubt I had to see: Prof. James Watson and Dr. Craig Venter. They’re like celebrities in science.

Now, you may or may not know who these men are. If you don’t, let me explain…

A conversation with James Watson

Professor James Watson, co-discoverer of the struture of DNA

Prof. James Watson co-discovered the structure of DNA in the 50’s with Dr. Frances Crick. He is quite an incredible man- at 84yrs of age, he is still active in research today!

The talk was a ‘conversation with James Watson’. It was very interesting. He can be quite controversal though.

He wrote a book called How to Avoid Boring People; one interest thing he said was to avoid being in a room with more than 2 Nobel Laureates (you have to laugh at the likelihood of that happening).

Watson said he hated going to the Nobel meetings because you end up with 10 Nobel Laureates in a room and they are incredibly boring. He snorted thinking you’d have to be boring to be one and that he was the exception.

It was amazing to get the opportunity to see him.

Dr. Craig Venter: ‘From Reading to Writing the Genetic Code’

Dr. Craig Venter, the background shows the cover of Science, the journal in which his group published their sequencing of the human genome in 2000

Dr. Craig Venter, sometimes called the ‘bad boy’ of science, was involved in the sequencing of the human genome. There were two groups racing to sequence the human genome at the time; the public group led by Dr. Frances Collins and the private group lead by Venter.

Venter had declared to the public group that his company could sequence the genome faster and for cheaper than they could. This kicked off the race between the two groups, leading to the genome being sequenced far faster than the public group had estimated it would be (3yrs ahead of the expected time-frame).

Craig Venter’s synthetic micro-organism, a bacteria called Mycoplasma mycoides JCVI-syn1.0

In recent years, more famously perhaps, Venter’s research group made the first synthetic organism.

It was very interesting to hear what his group (or an assembly of many groups) was up to and also to hear his thoughts on the future of science. 

He believes, for example, that in the future, during disease outbreaks, it will be possible for people to download vaccines from the internet and use boxes, containing his technology, to synthesize the vaccines themselves.

What an amazing thought eh? And not that farfetched.

Prof. Brian Greene: ‘The State of String Theory’

Professor Brian Greene

This was an incredible talk (even though I don’t do or understand Physics!). I am fascinated by the science of the universe.

Did you know- the heavy elements in our body came from the heart of an exploding star? All the particles that make up this universe have always been and always will be; how incredible is that?

It leaves you with a sense of belonging to the universe.

Prof. Greene also mentioned the multiverse- the notion that we are only one of many universes.

If these multple universes exist, it is believed that they would collide with one another and cause ripples to pass through each universe. 

Prof. Greene said, if we could detect these ripples, we could prove the existence of other universes. He said people were working on searching for these ripples (and they would be possible to find, if they exist).

Wow.

The infamous strings of String Theory… hypothecially!

Specifically though, Prof. Greene was talking about String Theory.

The idea behind it is that, if proven, it would be the unifying theory of physics- explaining all the parts that make up the whole universe and the energy in it.

It is a very complicated idea, and one that I can’t explain- so I found this brilliant TED talk that Prof. Greene gave (and it’s very similar, down to the letter in some parts, to the talk I heard). It’s about 20mins long, but it’s fascinating and he explains it in a clear way, so it’s easy to follow, if you are interested, I highly recommend it!

I left his talk feeling invigorated, awed and amazed. I had to jot down all I could remember.

Prof. Rolf-Dieter Heuer: The search for a deeper understanding of our universe at the Large Haldron Collider: the world’s largest particle accelerator

Large Haldron Collider at CERN

I couldn’t miss this talk. CERN is all over the media at the moment.

Prof. Rolf-Dieter Heuer (a particle physicist and Director General of CERN) was talking about the Higgs Boson. Which he said, if you ask him professionally he would say, ‘we have probably found it’, if you ask him personally he would say, ‘we have found it’.

Scientists, we are always so careful!

Professor Rolf-Dieter Heuer, Director General of CERN

He was a brilliant speaker, very funny and very interesting.

Professor Peter Higgs, Theoretical Physicist who first predicted the existence of the Higgs boson

Briefly (and in a very simple way, because I am no physicist!), the Higgs Boson, when found (as it likely has been), would prove the existence of the Higgs field.

The Higgs field is the way a particle gains mass (by interacting with the field). The stronger the interaction with the field, the larger the mass of the particle.

The field also has a peculiarity, in that, it can interact with itself.

So, again, a particle gains mass by interacting with the Higgs field, in theory, but in order to prove that the field exists at all- you must find the Higgs boson.

But why?

Why would finding the Higgs boson prove the existence of the Higgs field?

Prof. Heuer had a brilliant way of explaining the reason why:

He used this analogy: if he walked into a room full of journalists (representing the Higgs field). He could pass through the crowd, unnoticed, because they don’t know who he is.

The journalists don’t react to him.

Professor Rolf-Dieter Heuer, Director General of CERN… pointing!

However, if Einstein passes through the crowd, the journalists will react and crowd in on him.

And so Einstein gains mass (which is what the Higgs field does to particles).

The more known to the journalists, the more massive that person becomes (as they are all crowding in on them).

This is an explanation of how a particle gets mass in the Higgs field.

But, Prof. Heuer said, if for example he whispers a rumour into the room of journalists. They start to crowd in on each other, saying, “what did he say? Oh? Who?”.

This is a self-interaction of the field.

This forms the Higgs boson- self-interaction of the Higgs field= Higgs boson!

WOW! We all cheered. What a perfectly simple explanation of something I did not understand at all.

Professor Rolf-Dieter Heuer, Director General of CERN
“So, particle physics is really easy!!”

After he explained this, Prof. Heuer said: “So, particle physics is really easy!” (His wry smile implied he was making a funny; everyone laughed).

You might wonder, this is all very well and good, but how does the Higgs boson help us really?

Well, Prof. Heuer made this point; the internet was developed in the 80s at CERN. It was developed by the scientists so they could transmit their research to one another in a quick manner. At the time, they didn’t envisage any other purpose for the internet. But in later years, obviously they realised it could be used for other things. And it was only later that other uses became known.

Prof. Heuer doesn’t know yet what the Higgs boson can be used for, but in the future who knows?

I really loved this talk.

Prof. Heuer is amazing. I want to go to CERN and follow him around and have cups of tea with him and get him to tell me about the universe!

Would it freak him out? If I was in his shadow, with a cup of tea in one hand and a notepad in the other, going:

“Okay Rolf, tell me about the universe!” Latimer

“How did you get in here?!” Rolf

“I live here now…” Latimer

“Security!” Rolf

“Shush; I locked them in the Large Hadron Collider- anyway, let’s talk physics!” Latimer.

Ha…

‘What does Art bring to Science?’

Moving away from Physics now, I also went to a series of talks on; ‘What does art bring to science?’

The most interesting of these was the story of an American painter, William Utermohlen, who had been diagnosed with Alzheimer’s disease. This of course is incredibly sad, but Mr. Utermohlen gave a valuable, as before unseen insight into this progressive, destructive disease, by charting its progression with his self-portraits:

I found them haunting and somewhat disturbing to be honest, particularly the final portrait. It does illustrate a clear decline though, in a media that had not previously been shown.

It gaves the disease a very human element.

This was a very interesting talk; Mr. Utermohlen’s story really stuck with me.

Prof. Christian Keysers: ‘The Empathic Brain’

Professor Christain Keysers

Carrying on from this, I delved a bit more into the brain.

This was a brilliant talk about the biological basis of empathy.  Prof. Keysers gave an overview of empathy research.

He explained to us that empathy is not localised in a single area of the brain, rather empathy for different things is localised in different areas of the brain.

So,  people with damage to the brain, could loose the ability to feel certain types of empathy, but retain the ability to feel other types.

In terms of loosing the ability to feel empathy, Prof. Keysers said, if you loose the ability to feel e.g. disgusted, then you also loose the ability to feel the empathic disgust of others.

There was an interesting study carried out, where two groups, one male one female, were shown a card game. While they watched, the researchers monitored their brain activity.

The groups were shown a person playing fair and a person cheating, and winning. The cheater was punished and given an electric shock.

While watching the fair plays, both men and women had the same empathy levels. While watching the cheater being shocked, women had slightly reduced empathy, but they still had some empathy (sharing the cheater’s pain at being shocked).

However, men had no empathy while watching the cheater being shocked- in fact, it had activated a reward sensation in the brain! Indicating that the men were happy to see the cheater being punished, while the women were still empathising with the pain the cheater felt!

This begged the question of men and war, versus women and war. That perhaps there might be more psychological impact on women and this perhaps should be monitored more carefully.

Interesting right?

There was also a study carried out on ‘reading about emotions’. This study showed that people could empathise by reading; for example, they had a paragraph describing something disgusting and people felt disgusted by reading it.

The study suggested that people who read more may have more heightened empathy; but the reason why is not known.

Is it because people read more, that they have more empathy? Or is that they get more out of reading because they have the ability to empathise more with the characters (and that’s why they read more)?

Prof. Keyser mentioned something his old poetry teacher, from school, told him and it sort of stuck with me in terms of writing.

The teacher said that if you want to describe a person sailing on the ocean for the first time, don’t tell your readers what the ocean looks like, they already know- tell them about the person.

Tell them about their expressions. This is more informative, because this way they empathise more.

And in a scientific sense, you are activating the right parts of a person’s brain to feel attachment to your characters. So talk about the person, not the scenery.

Prof. Keyser wrote a book called The Empathic Brain and it’s a self-published one.

It describes an overview of empathy studies (not just his own). I haven’t read it, I did buy it though, it’s waiting on the Kindle- with many others, ha. But he said it was for everyone, so it’s not written in an overly scientific way.

Well, the conference was absolutely amazing.

I wanted to share some of the things I learned, though I appreciate that I might have rambled on a little. I hope it was clear and maybe a bit interesting in some way!

Being at this conference reaffirmed my love for science 🙂

Easily Amused

Ridley: I’m amused easily. I’m also a people watcher. Add these two together and you can have endless entertainment! Who needs television when you have a brain like mine?

I find amusing or entertaining things just staring out my bedroom window. Now I don’t live in a beautiful picturesque mountainous region, overlooking a glacial lake, or even in a bad neighbourhood with knife wielding hoodlums (not that I’d class this as amusing, more dramatic with a pinch of terrifying).

It’s all fairly standard, there are houses around me and across the road there is a green area.

Despite the normal surroundings, the other day I leaned out the window absolutely fascinated by two scenes that were happening simultaneously. Most people would probably have passed by without a second glance, while I stood for twenty minutes staring out, absolutely riveted. (Part of it, of course, was also to do with me making up the story and adding dialogue in my head as it was happening. I probably looked strange, staring out, unblinking with a glazed expression and a wide grin….creeepy….)

Now, that makes me sound a bit like one of those nosey neighbour types (or worse) that always have the net curtains twitching, I’m not! Though I do fear it for my sixties, but I’ll fight against the urge. 

Back from that little side journey…the first scene had two cats. The second had two male students, moving out for the summer.

Let me set the first scene…

Travelling through tall grass, a sleek black cat spotted something ahead and froze. Then after a full body quiver, he crouched low along the side of the green. He was every inch a miniature lion from the Serengeti, stalking its next prey. Paw by paw he stepped forward through the grass.

Behind him, slipping round the corner of the wall was a cute fluffy orange kitten. He looked like he was high on glucose injected skittles.

Whatcha doing, Spike?

Meanwhile, in a house across the street, the two male students were loitering outside their front door. They were soon joined by a car pulling up beside them; their parents. The Irish mammy and daddy had arrived to the rescue, to help them move out. They had a trailer too. They started parking it, awkwardly, up the drive way.

In the green, the kitten had joined the hunting cat, scurrying up alongside him to stare down at him with its head cocked. The black cat’s tail flicked, he tried to ignore his cute fuzzy visitor. Still almost lying flat along the ground, he sped up to try to escape him. Orange kitten paused, peering after him and then bounced forward. 

Play? Play?

In the house across the road, it soon became clear that the two boys had decided to collect their rubbish during the year, instead of paying for the weekly bin collection. Black plastic bag after bag was carried out by them from the back garden, as the mother wrung her hands, and supervised. The father crossed his arms with a heavy glare.

You can just imagine the conversation once they’d finished and the trailer was packed high.

Irish Mammy shook her hands at her boy, “Oh Johnny, why did you do this to me? If you’d asked we’d have given you the money for the bin collection.”

“Sorry, Mam,” Son rubbed the back of his neck. Nearby, his friend was kicking the side of the pavement with his head lowered, trying to avoid the frowns and anguished cries.

“What sort of state is the house in?” Irish Mammy wandered to the front door. She disappeared inside.

At the same time, the black cat had almost reached his prey, all the while valiantly ignoring the bouncing kitten at his side.

Irish Mammy reappeared at the front window as she threw back the curtains and turned to stare at the room with her hands on her hips. With her back to the garden, the Son glanced at his Dad.

“Eh…there’s more…” He jerked his thumb to the side of the house and began to walk backwards. His friend was poised, ready to sprint to the back with him and help. They were both staring at the Dad.

“For feck sake…” Irish Daddy sighed and folded his arms. “Go on, but don’t let your mother see, otherwise I’ll get it in the neck and then you’ll be hearing about it from me.”

“Thanks!” The two boys scuttled away. They brought back five more bags.

It was then the orange kitten finally realised what his more serious friend was doing…

what is that…it’s moving…
Colourful!!

He shot passed the black cat, no finesse, no planning, just pure enthusiasm. He ploughed at the butterfly, which then fluttered into the air, untouched.

The black cat turned away with a violent flick of his tail and a hiss, leaving the kitten leaping after a butterfly that was now around ten feet too high to ever reach.

Teehee…jumpy jumpy!

At the house, the parents folded themselves back into their car and beeped as they drove away. 

Once they were out of sight, the two boys abandoned their slumped shoulders and bowed heads. They glanced at each other, gave a massive high five and then scrambled back inside with giant grins….

You’ll just have to imagine I was like a spectator at a particularly fantastic Wimbledon match, my head was whipping from side to side, trying to catch it all!

Ah easy amusement, never leave me…

Book Cover Unleashed!

We are absolutely thrilled to share the cover for our new book with you!

It’s called (as you can see!); Legend Unleashed.

On the back of the book we have the blurb:

“Temperance Levinthal is in danger. She’s been dragged in Alastair Byron’s deadly world. Before she met him, everything was normal. Now she’s fleeing from werewolves, fighting wizards and finding that some secrets are best left untold.”

Our cover artist, Collette was absolutely fantastic! She’s an industrial designer, working in Australia and she also happens to be the sister of one of our best friends. It really is a case if you just look around you and ask, you already know some amazing people who are more than willing to help when you start to chase your dreams.

We provided Collette with a brief (perhaps one that was a little too detailed and long!! Haha…) on what we wanted in terms of colour scheme, images and our over all general idea for the cover. We’ll be the first to admit, we’re both perfectionists and hard to please at times, but we were delighted when this winged it’s way into our inbox. She even gave us quite a number of options to choose from, after much debate between us though, we decided the above cover was the one for us, it was our cover. We’ll show you some of the other options below though!

Sometimes it’s a pity you can’t use every option, isn’t it?

Ridley: We really wanted a black and white theme (as you can see). I’ve always found black and white very striking. A cover like that has never failed to make me double back and pick it up (or click on it, if I’m online). Having done its job to stop me and tempt me, it’s then the blurb’s duty to hook me into buying! So unfortunately, I do judge a book by its cover, I like pretty things, so sue me! Haha! I can’t wait to hold this book in my hands and then slide it, pride of place, onto my bookshelf. It will be a fantastic day. Even if no one else ever buys it, I’ll be extremely proud of all we’ve achieved! It’s an exciting time to be a writer….

Latimer: We love silhouettes, this will become a theme I think 🙂 This is certainly a very exciting time for us. We’ve spent years writing and it almost seems unreal to now be standing where we are, pushing our own machine forward, so to speak! It really is a great time to be a writer.

Also, if you are interested in hiring Collette to do your own book cover, we can pass on your query to her! Just sent us an email. We’d be delighted to share her with the world, she’s fantastic at what she does and extremely helpful! She listens to what you want and makes it a reality. 

You’d be hard pressed to find a better designer!

Thanks again Collette! 🙂

MLR

Also finished and coming soon is our book trailer! Stay tuned!

Irishisms

Ridley: It is said that the Irish people are a nation of storytellers. While I don’t know if this is true, it’s hard to judge yourself, I do believe that everyone here has at least one good tale to tell. We all also have one friend who was the class clown with the best, most outlandish long tailed stories, ever. This pal was just all round good craic. And when I say craic, I don’t mean the sniffy sniffy powder up the nose and now your flying through the stars kind. Craic here is everything from good banter, teasing (or slagging, which is basically good natured insulting, we love to do this), sarcasm, the atmosphere, jokes, music, singing, fun and just generally all of these combined to ensure you have a great time or night out.

Each country is unique. Personally though, I like to think the Irish sometimes have the strangest and sometimes hardest quirks to understand. So we’re going to share a few of them with you!

1. Irish people use a lot of fillers in their sentences that make no sense, though we understand them all the same and they sound nice. It keeps the conversation flowing (no awkwardness), examples included:

‘ah, sure that’s that really.’

‘You couldn’t be hoping for much more.’

‘Sure, what’s the use.’

We even have conversations with our cars-we just can’t shut up. The Irish like to talk. Des Bishop does a hilarious sketch of this actually. When we overtake someone in the car and they’ve moved aside to let you pass them. We switch on our hazard lights for a few seconds to say ‘thank you’ in car speak, then they will flash you with their head lights with a ‘you’re welcome’. You also get a ‘flash flash’ from oncoming cars, sometimes, to warn you about guards or speed cameras ahead of you (ah ha, policeman you won’t win today!) For the rude drivers or the ones in a particular hurry (but still rude) they come up behind you and flash you with their head lights asking you to move in. Once you do this and they’re safely ahead of you, you should receive a ‘thank you’ from their hazard lights.

2. Des Bishop also mentions the infamous immersion! It really is something that people in Ireland freak out about. Basically the immersion is turned on to heat up the water in your tank for the main taps or if you want a bath. Every single Irish mammy is convinced if you leave the switch on too long, the tank will explode. Even after my brother, who is an engineer, gave a massive explanation showing that it was actually impossible for it to blow up, my mother was silent for a moment and then said ‘Even still, just make sure you turn it off, you can never be too sure.’ No matter how many technical or scientific terms are hauled out, she’ll never be convinced!

3. We give the most confusing directions: “You go left, right, then you go right, right. When you come to the fork in the road, there’s a white gate to your left, ignore that and go the opposite way. Go down passed Lynch’s house, they’re the ones with the giant bullock in the field. Their dog is always digging up my azaleas, the fecker, go passed there, then go left, I think, and you’re there. Did you get all that?”

Despite these confusing directions, we’d prefer them to the sat nav. We have a deep seated suspicion and hatred for sat nav systems. We talk to them as if they can hear us. “You hadn’t a fecking clue where you were going, you got us lost again, you eejit!”

4. We’re a nation obsessed with the weather, we talk about it, complain about, analysis it and predict it. And at the merest hint of sunshine, we all strip down to our vests and shorts to show off our white chicken legs. We make the most of every sun ray as we know it won’t last long!

A good hello for any Irish person on rainy day would be; ‘Jesus, the weather’s desperate.’

And a typical answer to this? ‘Isn’t it just! You wouldn’t know what do be doing with it all.’ Nothing has actually been said here. It’s basically gibberish but the whole point is not to impart any important information as such, it’s just to be friendly and you’re showing a united, similarly miserable, front against the grey leaking clouds above.

5. In the summer, when the days get longer (the clocks change-we’ve daylight savings time) and eventually it’s still light at half 10 at night. People here will always remark, ‘There’s a grand stretch in the evenings.’ Grand here means nice or good.

Grand pops up a lot in Irish conversations. I tend to use it all the time. I don’t notice this, unless I’m abroad and I start to get funny looks. I like using it, though it is another example of a sentence filler. Say for answering something with a No, it softens it; ‘Ah no, you’re grand.’ Or you can also use it with a yes, ‘Oh grand, that would be great.’ Confusing, yes?

6. Red lemonade, it’s like normal clear lemonade, but with lovely chemical red dye in it. It’s unique to Ireland. We fought the E.U. to keep it, you know, when they tried to ban it. Yet I don’t know many people who actually drinks it these days, though because it’s ‘ours’ we don’t want to give it up.

7. Irish people and punctuality do not go hand in hand. We are generally late, for everything. This includes the public transport systems too I might add! 

8. When you pass an absolute stranger in your car on a country road, always wave, not crazy fast side to side wave, you’ll get a strange look for that. No, it has to be a slow hand up as you pass by (the even cooler, laid back farmer way is just raising a single index finger and a nod-the nod is optional.) If it’s a sunny day, you may get the wave out the open window. Exciting.

9. We all love cheese and onion flavoured Tayto crisps. Anyone who says they don’t isn’t a true Irish person. Quite a number of people will also get two slices of white bread and put the Taytos in between them to make a crisp sandwich. Yummers. (I don’t actually do this. Loads of other people do this though.)

10. We’re a nosey nation, we like to know about our neighbours and we gossip about them constantly. A simple hello can lead to the history of a single family, an example of an actual conversation I overheard yesterday:

“I saw Johnny Mac Donagh up town.”

“Johnny Mac Donagh, now whose he?”  (This question is really more, where does he come from, who are his people? You’re judged on your family, relations and connections more so than what you’ve achieved yourself.)

“He’s related to Josie who married Jim Murphy, the garage man. Bit of a scandal in that family. He was originally going with her second cousin Mary, then dropped her like a hotcake when he met Josie, but sure it all worked out in the end. They got married and had little Eoghan who ended up being a doctor. Or was it a vet? No, a doctor! Now he’s over in the Amazons or some such place, playing with monkeys.”

“Oh yeah?”

“Yeah, Johnny was just out for the milk and the papers.” 

(And I was left wondering, what happened to poor Mary? And if little Eoghan was a doctor and not a vet, why was he ‘playing with monkeys’ in the Amazon?)

11. We have to refuse something three times before accepting it. It takes a type of coaxing to get us to agree. I think we say the first no out of politeness, we don’t want to impose, the second is to double check the person offering is serious and not just doing it out of courtesy, then the third time you can relent. When it comes to food or drink, never just assume an Irish person’s first no, actually means no. Always check with an ‘Are you sure?’ There will probably be a ‘Ah no you’re grand’, in this instance you just have to say ‘Ah, go on!’ And with a giant grin the other person will get stuck in to whatever you’re offering. You HAVE to ask again- this is very important. If not, when you walk away the Irish will turn to each with horrified looks and go, ‘the cheek of that! What was yerman/yerone thinking? Oh I’m ripping (angry)’!

If you’ve ever seen the show Father Ted, Mrs Doyle’s offer of tea with ‘Ah go on, go on, go on….” is a more exaggerated version of what actually happens. Speaking of tea, it is drunk the country over. There are two brands that rival each other here. You’re either a Lyon’s or a Barry’s tea drinker. Choose your side! (Lyon’s would be our preferable brand. We love you Lyons!) Tea is drunk for numerous reasons, and for no reason at all. I think the average is four cups a day per person in Ireland. Perhaps when I’m working I average around 4 cups, but on a day off….that could be easily doubled! I do like fancy coffees too, but if I was only ever allowed one or the other again in my life, I’d always choose tea.

12. When we go abroad, we love to use Irish. It’s our secret language. We could hate it with a passion when we’re at home, but when we visit a different country we all suddenly start using a cúpla focal as gaeigle (couple of words in Irish), knowing gleefully no one else can understand us. Though I’m waiting for the day someone turns around and starts talking back in Irish to me, that would be awkward!

13. Despite speaking English, we’ve warped it in such a way that someone visiting the country, even if they’re completely fluent in it, might think we’re speaking a different language all together. We’ve different sayings or ways of saying things that make no sense to visitors.

  • She’s a pain in the face (she’s very annoying).
  • How’s she cuttin’? (how are things going? Very much a country saying.)
  • I was scarlet for her (a Dublin saying, meaning I was embarrassed for her.)
  • Fair play to you. (well done to you-if you’ve succeed at something.)
  • It’s Baltic in here or it’s perishing in here (it’s absolutely freezing in here)
  • The craic was ninety! (it was fantastic fun)
  • What’s the story? (Another type of hello with also how are you incorporated into it, it’s a more Dublin version)
  • He’s a fine thing. (he’s handsome)
  • Don’t be foostering (don’t be messing around/wasting time)
  • She’s going to eat the head off you (she’s really angry and going to yell at you.)
  • Well (very lazy hello, how are you, between very good friends)
  • You made a hames of that. (you messed that up badly)
  • Would you cop on. (would you get some sense. Stop being an idiot.)
  • She’s a goose gob (she’s a silly idiot)
  • You’re gone in the head (You’re crazy/mad)
  • I’ll give you a shout. (It’s a way of saying good bye, ‘I’ll speak to you later’ but without any sort of actual commitment to do this. It’s an empty promise really!)
  • You wouldn’t be going to the shop? (‘be going’ comes from a tense we have in Irish, it’s called the continuous present. Also, we tend to ask for things in the negative. You wouldn’t be getting milk in the shop? Hinting that you’d like milk too.)

That’s just a few quirks that we have. It probably makes us all look a tad mental. But crazy can be charming….right? 🙂

If you’re looking for a funny look at Irish people and the strange things they love and say try this book: Stuff Irish People Love. Everything in it is so true!!

I’d love if anyone would like to share national traits from your country, are there many of them? Is there a country quirkier than Ireland? While you think of a few, I shall return to my book trailer creating! The days are flying by too quickly, we’ve so much to do before our book is published!

Advertising Jungle

Below are just a few of the advertisements here in Tokyo. They can be found on the televisions, large screens on the buildings around the city, in shops and on the subways. It’s not hard to notice that no matter where you go, there is always something for sale or being pushed at you. So here are a few of them….

Ridley: I really don’t know what it is about this video, but it’s just so creepy. The guy playing the tiger is a brilliant dancer, I’ll give him that much. I don’t know why, it’s a combination of the music, the movements he makes and also the little tail movements. Cool, but creepy. And as with all the advertisements over here, we’ve finally worked out what they’re singing (after quite a bit of debate I might add), it’s ‘Ultra Ultra Ultra-book’. The dancer is also in an advertisement that shows in the cinema here (we went to MIB 3 here, for the experience!). The ad is for discouraging illegal filming of the movies. He also dances like this but with a giant camera on his head. That too is creepy. 

Latimer: This ad makes my skin crawl; the sound, the way he moves, the setting- yuck! I feel like my soul has been violated! (He’s a brilliant dancer though!)

Ridley: PonPon girl, as I call her, is everywhere here. There are advertisements in the subways, on little trucks that trundle passed playing her music, in magazines, on TV adverts for fizzy drinks and also on shopping bags carried around by people. I think she’s mad looking, a bit like an Asian Lady GaGa.

Latimer: She’s been following us from station to station and bookshop to bookshop. Leave us be, woman! The song is catchy; but MENTAL… The video is just plain crazy- if I had epilepsy it would give me seizures.

Ridley: I’ve really grown to like this song *rocks side to side with a smile*.

Latimer: No you haven’t, it makes you sick after awhile, that’s not normal.

Ridley: Perhaps….pon pon poooon…

Latimer: Why are the Moomin’s so popular in Japan? A strange Finnish cartoon from the 80’s. Apparently, they now sell Suzuki cars in Japan! Hyaku-pa-cento (100%). That’s all I get out of it. It’s catchy; periodically I will turn to Ridley and sing; “Hyaku-pah-cent-ooh”. It has amused us; the easily amused.

Ridley: I didn’t know what the crazy Moomin witch (and Latimer) were saying for ages. Since I’ve been here, I’ve never had so many words I don’t know spoken at me, I’ve perfected the art of the half smile and non-committed nod. It will get me in trouble one day.

Latimer: There’s a One Piece movie coming out soon and so, it is EVERYWHERE in Japan at the moment. They are in every 7 eleven shop. I don’t watch it, but I am half-thinking I should, but the likelihood is slim. I can’t commit to something that epic any more. I’m not as young as I used to be. 

Ridley: Those twenty-five year old bones of yours are creaking pretty badly these days, Lat! Mwhaa. For the record, I have no intention of being sucked in by the bombardment of all the One Piece advertising, I have no time for it, not when I’m barely getting round to seeing my Bleach and Naruto episodes!

Fantasy dining

Ridley: So the tagline for our holiday seems to have become ‘that’s so weird’, mainly because we’re actively seeking out things that are weird, strange and just something you’d never see at home. Interesting is the other word we could use, along with a raised eyebrow!

So with this in mind, we discovered fantasy dining in the Ginza district (I keep calling everything districts, it’s like the Hunger Games, or here, Battle Royal! Mwhaa…). Fantasy dining is where the restaurant is themed and the waiters/waitresses are dressed up. We don’t have this at home, as far as I’m aware (though if we did, it would be epic!), therefore it’s a definite novelty for us! We’ve gone to see both an Alice in Wonderland themed restaurant and a Vampire café.

We first went to the Alice place-Latimer is a fan of all things Alice in Wonderland- it was brilliant and the staff were very friendly. They were mainly dressed up like Alice but there were also a few mad hatters wandering round. The entrance hall was lined with giant ‘pages’ from the book, inside the restaurant the walls were covered in man sized deck cards.there was a hanging light made of top hats over one table and in the middle of the room was a giant cup that was also a seating area. Latimer: Within the giant cup there was a group of people we named the ‘High Rollers’. All night they beckoned to the Alices and Hatters, ringing a bell to summon them for more beers or unusual cocktails. They were hidden inside the cup, away from prying eyes. I imagined them walking into the place in a wave of Yen and dollar signs; “we wish to be part of the atmosphere but not of them plebs. Put us on a step above them all… inside a large white cup, so that we may watch them, but not them us!”. Personally, I think the menu was the most unique thing about the place (and that’s saying something!). It was a box, like a big cube, where one side slid open (the menus were made up of this ‘wall’) to reveal a little diorama and it had a tiny battery operated lamp in it. Latimer: A very cool and novel way to sell the fantasy! Lewis Carroll would have been proud.No point to it really, but it was still fun. There was also a cocktail menu that opened up like a picture book into a glossy hat.

The food was decent too, though nothing spectacular. Though Latimer did get a cocktail with a rose in it and then when it arrived they sprayed perfume on it! Latimer: I don’t know what it added to the taste… but it did smell like perfume. The food didn’t sit well with me, pretty ‘blah’ pre-cooked stuff. Not nice, but you pay for the atmosphere and the fantasy, so I didn’t mind so much.

We’ve never seen such little roses with stunted growth, Latimer decided there must be plant battery farms all across Tokyo growing roses that are destined to be cruelly chopped down before their prime and used in our drinks… Latimer: Ah battery rose, of stunted growth, the casualty of fantasy dining.

We also got bread with a little dish of butter (that didn’t taste like butter, just looked like it) It was provided with a little instruction tag, ‘Eat me’. Just like in the books! All in all, I really liked this place. Latimer: When this dish arrived, Ridley thought it was her starter (garlic bread). Even though it didn’t taste like garlic. When her food arrived she looked confused. Ha.

The Vampire café was freaky, that’s the only word for it. We stepped out the lift and tiny little plastic skeleton heads to our left popped out and screamed at us. Then the hostess popped up, dressed in a black maid’s uniform with white make up and red eyes. Scary! It was the waiter though that was really unsettling….and in a weird strange way quite compelling too, for the half an hours we were there (possibly the bad boy attitude he had going on)…I wasn’t the only one, there were quite a number of giggling Japanese girls there, some dressed up too. He was about half a foot taller than me (I’m 5’10)-he had big platform boots on, so it was an artificial height-he had black eyes, black lips, white white make up, the red eyes and back-combed long hair. He was wearing a sort of robe thing, long flowing and swirled quite well when he moved. But I have to say he was quite abrupt. Maybe that was his appeal in a way, in a country that has smiling, unbelievably welcoming people, he was the exact opposite. Not rude exactly, just…like a superior vampire really…! Latimer: We were laughing our heads off during the whole experience, and maybe he didn’t like that. We weren’t taking it seriously, but as Ridley pointed out with a narrowing of her eyes, “HOW can you take a vampire café seriously?”. Haha. Anyway, in retrospect he was just plain rude.

The bathroom there,with free mouthwash!

We were shown to a little booth lined with red curtain (Latimer: It reminded me of how in Pride and Prejudice, Lady Catherine offers Elizabeth Bennett the chance to use her maids piano in her house. She says ‘you’ll be in no ones way in that part of the house’. Implying that Elizabeth should be hidden away from the eyes of the gentlemen and women. It felt like myself and Ridley were being treated the same way!), there was a giant coffin in the centre of the room with dripping red candles on it in a candelabra. And the hall floor was lit up showing pictures of red blood cells…very weird! Haha… The vampire boy didn’t even say goodbye when we were leaving (we said thanks and bye)! I think maybe there was a little bit too much laughing from our booth during our meal, we got a sense that we didn’t take the place seriously enough.

We only got ice cream and cocktails there. We ordered from a menu shaped like a coffin.

We’d already eaten in a very old authentic Japanese restaurant where we got to grill our own food. It was called Sometaro (2-2-2 Nishi-Asakusa, Taiyo-Ku) in Asakusa. Again google maps did not let us down, put the address in and you’ll find it. We got okonomiyaki (cabbage battered pancakes) there.

Now that was brilliant, if absolute sweltering (it was already 24 degrees out and then add in the heat from the grills)! The place was made of old dark wood, almost like a tavern, there was a real sense of history to the place. We got a lot of food there, we wanted to try everything we could, two pancake type dishes and yakisoba (noodle dish), we realised our eyes were bigger than our stomachs. We had to take off our shoes and sit on the cushions beside a low table that had a large black hot plate/grill that was heated with gas underneath. For one of our pancake dishes, we picked eggs, cabbage, pork, little cuttle fish and onion, they were all mixed up together and cooked by us (well we got help, being the idiots we are!)

Latimer: This place was great. Felt very traditional. Really enjoyable food and atmosphere. As we search out food in Tokyo, I am gravitating back to ramen (my love). I want us to eat at the best ramen place in Tokyo… but where is it? Damn I wish I knew.

Our food journey continues daily…. ichiban (no.1) ramen…. we will find you!