cartoon saloon

Get Animated!

| mlatimerridley

Latimer: We went to an event in the Science Gallery on Friday night (the Science Gallery is located in Trinity college). It was held by the PEGBAR Irish animators network. I was late… and word to the wise, DO NOT try and run on wet cobblestones (of which there are many in Trinity) – it doesn’t end well!

Ridley: While she was slipping and sliding her way to the event, I was already there waiting for her, with a name badge on and surrounded by very friendly strangers. Picture, crowds milling around with glasses of wine at the reception, everyone grinning, laughing and waving towards people who they hadn’t seen in ages, it was like one big reunion. I think the animation world, in Ireland anyway, is a small one. And then there was me, not even a proper hobbyist animator never mind a professional, trying to look like I belonged. I was doing the ‘I‘m texting lots of people and looking up important things on my phone, not desperate for anyone to talk to me, nope nope‘…in the corner! I was going for busy but still approachable look! It worked in the end, I randomly made a new friend who was also waiting around near me. It turned out he was a freelance animator, so I got to pepper him with questions and see some of his cool artwork. It was really great to get an insight into the job by someone ‘in the biz’ and to hear what he thought of it.

Beware the cobblestones! Beware!

Latimer: I arrived for the talk, which started with a colourist from Marvel comics, Jordie Bellaire (she worked for DC and others, very lucky :)).

Marvelous Marvel 🙂

She was talking about the importance of colours and mood, and this can also be seen in movies. She was so enthusiastic and animated about her work; even when she wasn’t ‘working’, her mind was fixed on colours. She would watch movies and list out the colours in the scenes. It’s always really cool to see someone so inspired by what they do 🙂

Ridley: Really inspiring! She seemed like a really cool person too. Her talk opened my eyes to seeing films and images in a different way! Who knew the use of colour could have so much impact on a scene and on the feelings of the audience, really interesting!

Latimer: Then there was a talk from Nora Twomey, she is a director from the Irish animation studio, Cartoon Saloon. (Ridley: One of my favourite Irish studios! I love their work! I was dying to hear what she had to say!) She was showing some of the short films she had worked on and talking about getting them funded and the compromises you have to make with scenes and moments you have to leave out.

It made me think of when you’re writing and there are times you want to say more and show another scene, but in the end, the story is better off without it (no matter how in love with the moment you were!). It’s hard to cut them out, but it makes a tighter story in the end. (Ridley: Very true!)

There was this one film she showed; it really stuck with me, it was really atmospheric and drew me in. (Ridley: Creepy too…in a delightful way…is that possible, to be delightfully creepy? haha) 

The studio also did some work for TG4 (that’s TG Ceathair, an all-Irish-speaking TV channel we have here in Ireland). The cartoon studio were asked to do some short animations to Irish songs, the series called Anam an Amhráin (Soul of the Song).

This song is about a young 9 year old girl who is in love with a shoemaker, wants to marry him and runs away from home to be with him! In the actual animation, they felt this was a bit too much, so instead they made her dream of the shoe maker when she slips on the hill! (Ridley: It’s an absolutely gorgeous song. This is Irish at it’s best and most beautiful.)

I got caught up with these and wanted to know what other songs had been animated… this is what I found…

This one is about a woman to wants to be Paddy’s wife and wishes his actual wife ill… her struggles are desperate but pretty funny! (Ridley: Haha, this is good, she even wishes a broken foot and hand on the wife!!)

This next one is about the Irish pirate queen Gráinne Mhaol, or Grace O’Malley… ‘Ă“rĂł SĂ© do Bheatha ‘Bhaile’ is an interesting song, it started out originally about Bonnie Prince Charlie and was a Jacobite rebel song.. then later in the 1900s it became a rebel song about Grace O’Malley coming to Ireland with her warriors to free the land from English rule. In the video it seems mostly about Grace’s life.

All and all, pretty interesting, particularly because the event made me look for these videos :)! 

Ridley: It was a great night, I loved seeing all the Irish language work that’s being done! Not to mention, we went for yummy Korean food afterwards, it was so tasty *happy sigh*.

Book Trailer Unleashed!

| mlatimerridley
Ridley and Latimer have been turned into chibis! Ridley: I only need one eye, like Sauron… Latimer: Takoyaki (octopus balls) anyone? No.. I didn’t think so.

Well, the book trailer is done! Here it is, as we promised! It’s all our own work (animation and art).

Hope you like it!

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Product description of Legend Unleashed
 
When an infamous criminal is unleashed from his prison, it has consequences for everyone in Carwick. Temperance Levinthal in particular…
Temperance is satisfied with her ordinary life. Dealing with her eccentric, childlike parents is all the excitement she needs. That changes when Alastair Byron returns home.
After a failed matchmaking attempt by her father, sparks fly between her and Alastair-just not the good kind.
They are forced together though, when they are implicated in a grisly murder. Their search for the truth leads them to a secret world beneath Carwick, filled with werewolves, wizards and other magical faey.
However, uncovering the truth is far more dangerous than they’d ever imagined.
There are secrets within secrets.
Even Alastair may be more than he seems…
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Ridley: It’s a stop motion animation with black silhouettes, kind of in the style of Lotte Reigner. Here’s some of the pictures below that I took while making it- and when I remembered to take them!

From drawing rough sketches of the different scenes and characters.

From cutting out the silhouettes.

From recording the animation.

The animation was carried out in my garage room (as you can see from the clutter! Go look back at the picture of the camcorder, do you see the empty Tayto box from many Christmases ago? Told you we love crisps in Ireland-see the post Irishisms, if you’re now going ‘Huh?’) Despite the chaos, this was the darkest place in the house, so the best room for animation creating! In a way, I made the light box. It’s a long frosted glass table that I got second hand (at an excellent price) and I went to Woodies (local hardware shop) to buy a light, which I placed underneath the table. It beat paying a 100 euro plus for an official A4 light box. The tripod and the camcorder aren’t mine, they were borrowed!

Latimer: At this point, please imagine me texting, and viber messaging Ridley, saying ‘how’s it going? yeah, yeah? Harder, monkey! Work harder!’, sipping my tea, crackin’ the whip. Editing on the side 🙂 (as Ridley bled real blood, I bled metaphorical editing blood).

Ridley: I recorded the frames of the animation with the programme ‘I Can Animate’, then I used Windows Movie Maker to gather the clips and create the video. Audacity was a programme I used for the music and sound effects. It’s fantastic to use, quite simple once you learn the ropes.

Latimer: I wish I could have strapped a camera to Ridley’s head while she did all of this. Because I would have loved to hear the, ‘oh dear god, noooo! what happened?’ moments. Next time, I will- I’ll document it!

Ridley: Latimer and I collaborated on it all (Latimer: she’s being nice, the animation is Ridley’s brain-baby- I was a sound-board for the story-board, music and descriptions- but really props to Ridley for this!), deciding on what worked in the animation once it was recorded, the font used on the slides and the type of music we needed to create the right ‘feel’ for the trailer.

For the parts like the chains behind the clock and blood drops, I used Deleter screen, which is used all the time by manga artists. The paper has grey tones and designs, which can be cut out and stuck onto your picture. It’s great stuff. I bought it with the trailer in mind when we were in Tokyo after we found one of the best art shops there, Sekadio in Shinjuku (Latimer: working holiday, the only way to holiday! Haha!).

 We were in heaven, except for the fact it was packed and all the aisles were really narrow! And I am a browser, I wander the aisles, which you couldn’t really do there! (Latimer: yeah, poor shop design really too narrow! and claustrophobic!)

Overall, I had an absolutely fantastic time making this. It’s my first ever video, though I’ve always had a love for animation, second only to writing! Most of my favourite movies are animated. Aardman, Pixar, Blue Sky Studio, Dreamworks-I love all their stuff. In Ireland, we’ve Brown Bag films,  Boulder Media and Cartoon Saloon to name but a few of the companies here, all of which are making waves in the animation industry!

So as you can see, I relished the chance to create this trailer and join my two great loves, writing and animation. I just really hope people like it!