Obsession Island

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Ridley: Hello…*waves* I know, I’ve been quiet as of late, I’m sure you were all wondering where Ridley had gone. (No? No one?) I’ve been busy! Kind of. While Latimer has been ploughing new roads through the unknown jungle that is the comic book world and developing her inner fangirl there, I’ve gone back to the old staple of Asian dramas. I will follow Lat down the comic book route, eventually, when she has the road newly paved and there’s been a bus route established with a tourist map on all the best locations (aka stories).*grin*Dublin-Tourist-Map

I can just imagine me wandering forward into the large sprawling forest, wide eyed and hesitant, staring up at the comic book trees…

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Latimer will be pointing at one tree with a beautiful sturdy trunk, “Let’s climb this one! It seems like a great story!”

And then we look upwards with smiles of excitement and far higher than we can see the branches have become all twisted and cancerous as the tale has gone awry, and then closer to us a whole thick limb suddenly disappears from the tree and I turn to her in horror, pointing at it.

Latimer huffs in annoyance, “They’ve just retconed the story line.”

“Ret-con?”

“Restarted it, so it’s like everything that they’ve done up until now hasn’t happened.”

I gasp at her. “But I could have been on that part!!”

I look down at the leafy forest floor, imagining myself lying there dazed not knowing why I’d plummet to the ground. I turn and shake my fist up at the now blank space on the tree.

So…I’ll wait until some of the trees have hazard signs erected first! And maybe a train line, I can get a bit travel sick on the bus…

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As I said though, I’ve been away, lost in the world of Asian dramas, I’m the canary (as in canary down the mine!) for, Flower Boy Next Door (Latimer pointed this series out to me). It’s a Korean one this time. I’ve ventured forth alone to see what it’s like and to report back on whether others (well, just Latimer) should follow me or run away, and so far? Oh it’s so good!Flower-Boy-Next-Door-04

But I’ll tell you (another side journey here), I got this hankering to return to the dramas after I’d tried my hand at watching a Bollywood film, I’d never watched one before-a proper one now, made for their home audiences, not Europe or America. It had the same type of romantic elements, the restrained passion and heartbreak as the dramas. The film was called Veer-Zaara (it’s the name of the two main characters). Basically the two main characters are from different countries (India and Pakistan) and they meet when the main girl, Zaara, visits India. Over the few days they travel together, they fall in love, but then the man she’s been promised to comes to take her back to Pakistan….and heartbreak and forbidden love ensues!veer-zaara

Absolutely beautiful images and colours and the dancing was great, but I’m just not really a fan of people breaking out into song at critical moments in the tale.

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Musical episodes in any series I’ve ever watched have never really sat well with me (even that Buffy episode-though I just looked at the trailer…it was kinda good…I loved that series, and Angel!).

The reason for not possibly liking it is because I get sucked up by the tune and while I’m humming and swaying, I don’t hear what they’re actually singing about, so I miss important parts of the storyline.  (Though for some reason, this never seems to happen with my beloved Disney films, I sing and sway to them, but I still know what’s going on afterwards!)

Hakuna MatataThe biggest plus this film had though, (that if I see this in any drama that I watch I sit back with the words, ‘this is gona be gooood’), is the rain scene. There has to be a rain scene in any epic or tragic or hard-fought-for love story, there has to be a rain scene when the two couples reunite or finally come together after overcoming all the hardship or just kiss for the first time. It truly is a swoon worthy moment.Veer-Zaara 21Veer-Zaara (1)

I just realised they had quite a few rain scenes in this film, though some of them didn’t technically happen as they’re just the character imagining them. Like this one (but now you hopefully understand the beauty of the rain scene?):

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Now back to my, Flower Boy Next Door. I’m only in the middle of it, but basically it’s about a girl (Go Dok-mi played by Park Shin-hye) who avoids people and contact with the outside world.Flower-Boy-Next-Door-Korean-Drama_korean-dramas We’re getting flashbacks to the tragic events behind this with each new instalment. Then there’s a possible love interest in the beautiful man next door (Oh Jin-rak played by Kim Ji-hoon)543806_576111315748402_241042218_n-1

and also the beautiful neighbour across the road (Enrique Geum played by Yoon Shi-yoon)tumblr_mkj5a0u3n91qiq9wto1_500

and then there’s the scheming ‘other woman’ (I always hate the ‘other woman’ in any story *glare*) who wants one of the men and is making the girl’s life a misery. (no one cares who she is….oh fine! It’s Park Soo-jin as Cha Do-hwi, she a great actress too….but I still hate the ‘other woman’.)boynextdoor8-00204

I’m all set for some fantastic viewing and roller coaster moments. I’m already wrecked from not going to bed early enough during the week while watching this! And of course having to go to work, eat, sleep, and also get my writing done, people (other than Latimer, who is now getting 20 texts a minute with random happy (no doubt confusing) lines like, ‘oh my god, he just looked at her!’, as I’m watching the drama) think I’ve disappeared!

I have, into Korean drama land!   

PS: I just realised you know, when you find something new that you absolutely love, it’s like you’re on your own little obsession island, completely by yourself revelling in it and consuming as much of the comic, series, book, music that you can, that’s stage one. Then stage two is bursting free from your little hovel, when there is no more (you’ve read, seen or listened to everything) and you share your love of the obsession and want to meet others just like you. I think stage two lasts quite a while especially now we have the internet!

The Oldies

6657921115_30b83fdd36_bRidley: Old movies. I love them. I have done since I was quite young. In particular, the old black and white, or barely just colour, love stories. To me, they’re infused with barely restrained passion. They adhere to the notion of, less is more. There was no bed hopping or clothes ripping in these films, just fiery declarations of love and desperate kisses, which made your heart swell as you looked on with a box of tissues, clutching a cushion to your chest and hoping everything would all work out for them.

I don’t quite know why this fascination with old films originally started, but I do know where it all began, with one my very favourite black and white films; The Ghost and Mrs Muir. Now Latimer has heard me mention this maybe a time or two…dozen…down through the years, I’ve seen it around four times. Not that many times for a favourite something of mine,( usually it gets worn out) but for some reason I’ve refused to buy a copy, I’ll only watch it when they show it on television, which is something that rarely happens now.

It is one of the most unconventional love stories- well when it first came out anyway, possibly not now, in a world where vampires and werewolves and fairies and what not are potential love interests. Though I would argue it’s still pretty unique!

It’s a 1947 film, (based on a novel, all the good ones are-teehee…) where a young widow, Lucy Muir, played by Gene Tierney, moves to an English seaside town and rents Gull Cottage, a house haunted by the ghost of it’s former owner, a roguish, irascible, surly (and down right smexy) sea captain, Daniel Gregg (Rex Harrison, who I again love in another movie, My Fair Lady, as the Professor!).

They have a rocky, tit-for-tat relationship, she’s the first woman who hasn’t run out of the house screaming at the sight of an apparition appearing in the darkness beside her and who is able to give as good as she gets. (Booyaa for strong female characters everywhere! 😀 )

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After her refusal to leave the cottage, they settle into an uneasy living arrangement, slowly beginning to enjoy each other’s company. However, it soon becomes clear to Captain Gregg that Lucy’s finances are drying up and she may have to leave the house anyway, so he decides that he will dictate his memoirs to her, entitled Blood and Swash, and then sell them.

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As they write the book together, their friendship deepens into something neither of them ever name as they both begin to realise just how hopeless their situation is.

Lucy Muir: It’s no crime to be alive!
Captain Gregg: No, my dear, sometimes it’s a great inconvenience. The living can be hurt.

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It is the Captain who begins to insist that Lucy should find a man who can be with her, in all senses of the word, so she doesn’t spend her life alone. (I am at this point shouting at the TV going, ‘Nooo, Captain Gregg, she wants you!! Don’t be a fool! Who cares if you’re a ghost, it could still work….somehow!’)

When they finish writing the book, after some trials and tribulations, it is published and with Captain Gregg’s racy recollections, the novel becomes a bestseller.

Captain Gregg: I’ve lived the life of a man and I’m not ashamed to admit it!

This of course, gives Lucy the money to allow her to stay in the house, with him. (Ridley: *cheesy grin*)

It is on a visit to her publisher in London, though, that Lucy meets and becomes attracted to suave Miles Fairley (George Sanders). (Ridley: ‘Run away from nasty hobbities man, Lucy! Me no trust him!’)

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Captain Gregg is jealous of their relationship (swoon!).

Lucy Muir: You, yourself, said I should mix with people, that I should see… men.
Captain Gregg: I said men, not perfumed parlour snakes!

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Captain Gregg: And the way he was smirking at you, like a cat in the fishmonger’s! You should have slapped his face!
Lucy Muir: Why? I found him… rather charming!
Captain Gregg: “Rather charming!” Now you’re starting to talk like him!
Lucy Muir: How in blazes do you want me to talk?
Captain Gregg: That’s better!

Captain Gregg soon begins to realise, though, that he is the main obstacle to her happiness. While he’s around, she won’t truly allow herself to find someone else, and so, while Lucy is asleep, the Captain convinces her that he was nothing but a dream…(cue Ridley’s heart shattering into millions of tiny pieces)

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“Oh, Lucia, you are so little and so lovely. How I would have liked to have taken you to Norway and shown you the fiords in the midnight sun, and to China- what you’ve missed, Lucia, by being born too late to travel the Seven Seas with me! And what I’ve missed, too.” 

(Ridley: *clasping hands together with a giant sigh*)

Of course, i’m not going to continue to spoil the whole film for you. GO and watch it. Get a nice cup of tea, a good squishy cushion and soft tissues. Sometimes the oldies really are the best!

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Of course, it’s not hard to see how my younger self ended up devouring other old films in search of more epic romances such as that one, and down through the years I’ve found many, such as Sabrina (with Audrey Hepburn and Humphrey Bogart), The Philadelphia Story (Cary Grant), Casablanca (Humphrey again), My Fair Lady (Audrey Hepburn and Rex Harrison), Gone with the Wind (Clark Gable), Gigi (Latimer put me wise to this about nine years ago!), and quite a few Fred Astaire films, but to name a few! 

If you’ve any similar old movie suggestions for me, let me have them, I can set myself up for a long overdue film marathon!! 😀